Vol. 1, no. 1, 2020

Note – Nota
Andrea Ciccarelli, Indiana University – Bloomington

Articles – Articoli

The Shifting Thresholds of Paratextuality and Play: The Case of Kinkeshi, M.U.S.C.L.E., and Exogini
Marco Arnaudo, Indiana University – Bloomington The Italian Sitcom Journey:The Struggles and Failures of Italian Commercial Television’s Original Production
Luca Barra, Alma Mater Studiorum – Università di Bologna On Reading a Song
Francesco Ciabattoni, Georgetown University Digital Affect and the Microbiological in Maxì Dejoie’s The Gerber Syndrome: il contagio and Alex Infascelli’s H2Odio
Ricardo Domizio, London South Bank University (Aesth)etics Storytelling: A Close Reading of Kobane Calling and Salvezza
Valentina Frasisti, Harvard University Southernness, Disability and the Construction of the “Other” in Italian Cinema: Desire, Masculinities, Disfigurations and Medicalisations
Marcello Messina, Universidade Federal da Paraíba

The Sex of the Angels: Hybridization of Judeo-Christian Motifs in American and Italian Mainstream Comics

Carlotta Vacchelli, Indiana University – Bloomington

Reviews – Recensioni

Brioni, Simone and Daniele Comberiati. Italian Science Fiction. The Other in Literature and Film. Palgrave Macmillan, 2019.
(Carlotta Vacchelli)

Discussions – Discussioni

Design italiano o design globale? Una riflessione
Spartaco Paris, Sapienza Università di Roma